Wednesday, March 31, 2010

eat cake and read hamlet

April 23, 2010

William S. turns 446.
Hamlet, Prince of Denmark turns 387.

Join WE for a read through of HAMLET.

Friday 4.23
7-10pm
at OCSC (sailing school)
1 Spinnaker Way, Berkeley


We'll read from the current working-cut. Help shape the final version, for performance on The Rock.

Various people will read various parts
(rsvp if you'd like a scene assignment)

it will be a working session
with birthday cake !


xo

WE

Monday, March 22, 2010

Spring. Birth. Give. Create.

Dear Friends

please consider donating right now!

$5, $10, $20, $50
whatever you can give
it all adds up
each one of us
makes many of us
makes we
and gives WE the fuel to carry on.

(consider it a birthday present to me ;)

we have an incredible cast and team and crew
but we have a long way to go to fund the project
please help us.

click the DONATE button to your left now!

THANK YOU!

*
ava

Friday, March 19, 2010

How much more ?

You hafta look at this article, http://www.sfweekly.com/2010-01-27/news/no-way-out/http://www.sfweekly.com/2010-01-27/news/no-way-out/ . Lonnie Morris, San Quentin lifer, convicted cop-killer, and by almost all accounts (not counting the San Pablo PD and the dead Cop's family) he's a model of rehab, reform, redemption, all the re-s. Somehow he got turned around, more like he turned himself around, but he can't get paroled. Somehow he become a murderer and then somehow he managed to find redemption ? How do you change from being a murderer ? If a man changes, finds a new self, gets reformed in prison, does this mean that the system worked ? We say this about lots of other programs when people complain of money wasted, 'but if one person is helped?'. What is it about about Lonnie Morris and Alcatraz cons like John Banner, Leon 'Whitey' Thompson, Jim Quillen, who received a Presidential Pardon or Darwin Coon who fostered nine children after he got out, that enabled them to change in jail and why is it that other men can't or couldn't, men like Alcatraz cons Robert Stroud and Henri Young ? Is it some kind of program that changes men, or is it something else, some inner quality, a spiritual experience, or that human desire to be free ? You know the story about the Zen master that ordered a hot dog from the street vendor asking for "One with everything" and handed over a Five. When the vendor didn't give him anything back, he asked for his change and the vendor replied "Ah, change must come from within". How much more does Lonnie Morris have to change ? What would happen to him if he did ? What is this really about ?

Sunday, March 14, 2010

Secrets.

A thank you to Sharon Daniels for this powerful website.

"Don't ask, don't tell." 

What are the rocks we choose not to look under? What things  are out in the open that we choose to ignore, choose to pretend don't exist? Is it a conscious choice? Where does the fear of knowing come from? Is there ever such a thing as knowing too much? 

An exploration: 

Public Secrets.  

Wednesday, March 10, 2010

gathering the troupes

auditions were awesome
thank you to all of you who came out to play!

still working on final callbacks and decisions
we will post our cast list soon!


Wednesday, February 24, 2010

percentage

"Since 1980, the number of people in U.S. prisons has increased more than 450%.

Despite a crime rate that has been falling steadily for decades."


from the book: "Golden Gulag" (Ruth Wilson Gilmore)


Tuesday, February 23, 2010

why?

Another comment left on an envelope at the dinner party:


"While we know that prisons aren’t perfect, still remember that some people need to be in prison (or something like it). Some people “deserve” to be dealt with."


Thank you for this - for bringing this into the conversation. Actually this has been coming up a lot for me - that my natural sympathy, and desire for understanding is not meant to excuse or justify crime. But how can we heal, how can there be rehabilitation without trying to understand what motivates crime/ violence in the first place?

I have been reading James Gilligan's book: VIOLENCE.

Phew - check it out. Pretty intense, and really interesting how Mr. Gilligan has found in his 30 years of working with some of the most violent men in the nation - as an MD and psychiatrist - that Shakespeare and the Greeks provide some of the most useful information and archetypes for getting at an understanding of even the most horrendous crimes. But rather than turn this post into an exploration of Gilligan's book - I return to my the quote above...


So I recognize that yes, I tend naturally to be sympathetic to the struggles and experiences of people in prison. The more I learn and expose myself to - the more painfully obvious appears the injustice of the justice system. A system that in many cases, works to break the spirit and souls of the prisoners, quite contrary to any sense of rehab. Why bother trying to understand why people commit crimes? I mean not just the MOMENT of the crime, but the larger social and cultural conditions urging someone, the thousand natural shocks that flesh is heir to, the pressures, confusions. Can you imagine only being remembered for the rest of forever as the one worst thing you ever did ? To have your whole self condensed into that one instance ? Okay so this trying to understand is not meant to gloss over the real horror of the crime committed, the suffering unleashed upon the victim and relations, not to justify or ignore the crime that put someone in prison, but trying to place it and understand it within a larger framework - that this could be a way to uncover solutions for healing and change.


And I'm finding that many effective programs exist – art, education, and meditation based programs that return a sense of Self, Strength, and Hope to a person – except these programs are getting slashed and burned.


I'm so grateful to have the opportunity to meet some of these artists / educators / activists working within the prison system and learn from them. We Players will strive to incorporate what we learn and gather into our performances.


The other part of WHY is this...

We all have one thing in common - we are Human Beings.

This is at the heart of the work in the theater. It's a vehicle for better understanding myself, this being human, the layers, subtleties, complications, influences...Who Am I? How Must I Act?



i believe it is part of our job as artists is to remain open and curious and willing to feel. all of it.

and it's all breaking my heart a little every day
it's also strengthening that same muscle